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Thank you all so much for your condolences and kind words last week. Sorry to have kept you in suspense -- I'm sure you figured out, given the absence of any scenes of flaming wreckage on the evening news, that none of my crappy small plane flights crashed. In fact, my face-stabbingly early voyage on Monday went smoothly, and my return 24 hours later was also on time and otherwise uneventful. The funeral was really lovely, with just the right combination of humor, reverence and poignance, and lots of people came, so it was great to see how well-loved my grandmother was in every aspect of her life.
As a side note, when we were preparing the eulogy, my brother pointed out that my mom had used the word "spendthrift" when she meant to say that Grammie was frugal -- "spendthrift", in fact, means the opposite. Maybe we're the only people who didn't realize this, but I feel like we're a fairly language- and grammar-fussy crowd so the malapropism must have taken hold in the greater public consciousness. "Fulsome" is another one that I've been called out for misusing in a brief -- its chief definition being "offensive to good taste" or "gross", rather than "complete" as I had thought.
Speaking of spendthrifts and fulsomeness -- and this is going to be quite the segue here, so hold onto your butts -- Jonna introduced me to the horror show that is "The Real Housewives of New York City", and I am hooked. It's the sort of thing that should be shared in the way that a nostril-burning bad smell must be shared; if you experience it, you must draw others in to share your pain ("have you SMELLED this? Oh my God, SMELL IT, it's revolting").
These women are...well, you have to see them in action to believe it. And part of what baffles me so about the whole thing is that these are not "society" women in the traditional sense -- because, presumably, your old-money ladies who lunch and wear pastels to the Junior League, would never debase themselves by flaunting their wealth in such a gaudy manner. No, these are tacky, nouveau riche types (though one is married to a count -- hee -- and is referred to on the show as The Countess -- double hee) with honking New York/New Jersey/Long Island accents, and they embroil themselves in unnecessary drama of the most distasteful sort (storming out of fashion shows for not getting a front row seat, throwing tantrums on the tennis court, back-biting after being left out of a small gathering). Yet it is FASCINATING. Bravo reality programming, you've done it again!
(Also worth a look if you're especially lacking in entertainment options: "I Know My Child's a Star" on VH1; it's a competition among stage moms and their kids, hosted by Danny Bonaduce, and there are trainwrecks all over every episode. If you've ever thought for half a second that having your kid get into show business in any capacity, this will dissuade you in every way imaginable.)
In other pop culture news, we were the last people on the planet to see "Michael Clayton", which Netflix finally delivered to us this past Friday, in time for our Chinese-food-and-a-movie night. I liked it, and I thought the acting was very good; but once again, there was something missing for me. It was almost too simple, somehow, and of course not especially realistic. It seemed overly compressed, I think. While I'm not into three-hour, dragged out snorefests, I thought there could have been a lot more background to get the viewer more invested, and that certain of the scenes could have used more context or explication -- I guess it was abrupt, and maybe on the glib side, not that I couldn't follow it, but I didn't feel I had enough of a stake in any of the people or the goings-on.
It seems like I have this reaction a lot lately, especially to majorly hyped movies -- I'm not sure who's in the editing room these days, but a lot of the characters' motivation seems to be left on the cutting-room floor, and the result is these herky-jerky films where people lurch from one extreme to another in terms of motive or plan or decision-making, and we're left going, "But why? Why would he do that??" Or maybe that's just me.
Finally, I need your help. I need music. I need some upbeat stuff for working out, and I need some mellow stuff for commuting. Here are some artists and songs I've liked recently, to give you a sense of what's on my iPod at the moment:
Sara Bareilles - "Gravity", "City"
Alexi Murdoch - "All of My Days", "Orange Sky"
Priscilla Ahn - "Dream"
Rachel Yamagata - "Reason Why"
Snow Patrol - "Chocolate"
Sia - "Breathe Me"
Josh Radin - anything
Fine Frenzy - ditto
You get the general idea. I lean heavily toward the "girl at a piano" and "guy with a guitar" selections for walking-around music, and poppy upbeat tunes for running or working out. Any ideas you've got will be much-appreciated.


